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Issue 4 > Thinking outside your box.

Thinking outside your box.

Harry Beckwith learns from Paul Simon.

'We need to think outside the box.' No, you don't. It's a lyric heard every minute, somewhere in the world. But the message doesn't work.

Here's why, and what you should do instead.

Your box—your way of thinking, working and living—has worked for you. It's the box in which you were born, a product of the dna with which you were encoded. You can change your box about as easily as you can change the shape of your head.

You are methodical or mercurial; you are lateral or linear; you tend to be inward, or perhaps outward. But from birth, you are who you are. It's a pretty good box. Most important, it is yours—the box in which you have operated forever.

Don't try to think outside your box—it's too hard. Instead, grow it. For a wonderful inspiration and example, consider the story of singer Paul Simon.

Simon wrote some of our previous century's classic songs, including an album that became the background music for an entire generation: 'Bookends'. Millions bought it, and millions more heard its songs as the background music to the movie classic, 'The Graduate'.

Simon flourished inside his box. His box was filled with the culture of the rebellious 1970s America, torn between chasing California girls on the beach on one hand and protesting the Vietnam War on the other.

Simon flourished inside his box—and then he didn't. He stayed there and the box that had helped him produce classics started producing songs like 'Kodachrome'. ('He should be arrested for that song,' a recovering Simon fan once said.) Simon's box closed in on him.

Simon solved it, but not by changing his thinking. He changed his box by bringing new things into it. To find them he ventured a world away—he flew to Africa. There, his box changed from what he felt and saw. As he wrote in one song, he saw 'angels in the architecture, spinning in infinity'.

Africa and its images and sounds startled, moved and overwhelmed Simon. With his head stirring with these new influences, and inspired by the African group Ladysmith Black Mambazo, he wrote 'You Can Call Me Al' and one of music's truly outside-the-box creations, the album 'Graceland'.

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